Making something small happen

art of the everyday

Month: December, 2012

Secular Songs

Here is a link to a guardian article discussing secular carol services printed a few days after our own.

Led by John D’arcy we sang lots of songs celebrating christmas that did not mention Religion. This may sound contradictory and indeed on sending out the invites one person declined saying you can’t have Christmas without Jesus. We put this to the test, I did not do any fancy introductions it was not important to me who believed what but that we all wanted to sing together and that we recognised enough of the songs to make this possible.

We sang for a few hours and got plenty of strange looks from those passing the gallery but it really put me in the christmas spirit – for me this means spending time with family and friends, eating too much and relaxing.

Fellowship of the Faithless

Prayers for secular people.

Since starting this project I have had several moments of doubt when I find myself thinking the support of a higher purpose that is recognised by many others would be a lovely comfort. There are many artists working in Belfast but art does not always lend itself to communal activities in the same way religion does.

I was thinking of a prayer circle and the comfort of knowing others have you in their thoughts, how could this work for a secular group – is there any desire for this? For those of you that have read along with the project you will be aware that I am borrowing the things I miss since leaving church and religion and testing how they function without their foundation of religious belief.

I was discussing today with a friend about Mandalas and how she is using them for an art project. I am slowly thinking around how what we borrow is changed and how art is changed by this borrowing.

Fellowship of the Faithless

Today was the quietest day so far and again a huge reminder how art often survives with a support network. It is a fragile belief and a lonely one but I am preparing for the secular singing on the 15th December and it is this that keeps me going. exhibitionBelfast has a strong art crowd that go to regular openings but the wider public do not seem to often filter through to the smaller galleries. In thinking of a church as a support network art has some parallels. Your art friends will usually attend your exhibition or friends that work in town have called in when passing. I have said before about tract giving as being self sustaining as often Christians take the tracts from those giving them in solidarity of faith and the similarity if exhibitions are predominantly attended by artists. Is it critical that those outside your field recognise your work?

Fellowship of Faithless – PS2 Gallery

Open 11-3

5 visitors today and I would like to write about 2 of them. First was an older man who knocked on the window but wouldn’t come in he just shouted “keep up the good work!” I wonder what work he wanted me to keep up whether he knows the space is an art gallery and was telling me to keep going as there where no people in the gallery or whether he recognised the space as a church and was telling me to keep going as I had no followers.

The other visitor came in to ask when my next session was, again I found myself questioning exactly what I am offering as there are no clear boundaries. I explained the space as an art gallery and the work but after an expectation of religious guidance I think he found my hope in art rather empty.

Artists Testiomonies at Fellowship of the Faithless.

Saturday 8th December

exhibition from 10-2

event 2-4

I arrived a little late and in a panic, I was up late baking for the Artists Testimonies event. I lophotove to bake for events as I think it gives them a more relaxed atmosphere and a starting point for conversation for those who don’t already know each other. Spending time in the empty gallery space is quite peaceful so soon I am calmly making final plans for the event.

Artists testimonies is an event asking artists to share why they believe in art – not a presentation of their own work but the motivation behind why they make work and the potential they think art has. The idea came from attending several highly polished presentations of people’s work, they were great at showing a professional body of work but I felt that the art language and Powerpoint style is quite off-putting.I put out a call for 10 artists and 10 audience members for the event and a discussion afterwards. The event was not recorded in any way. It is very important to me that it was not disrupted with photos or video and that each person that attended holds the evidence of the event. This of course is problematic for funding applications and blog posts as there is little to share.

I hope to host this event again so if you live in Belfast and are interested leave a comment!

Fellowship of the Faithless – losing my religion?

Friday 7th 11-3 pm

SONY DSCWhen setting the show up I wanted the chairs to be in strict straight lines with slightly awkward closeness to each other. This helps to give the feeling I had when attending church. The idea that no one is a stranger when you share a faith – that these people are your family is tested when you are on uncomfortable chairs and a little too close to one another.

I arrived to set up for the day and it was evident that those attending the opening had felt the chairs were too close also, as they had spread from their original places. The floor was covered in crumbs and as I set about hoovering and rearranging things I was aware of being watched from outside. It raises the question that I often find with this gallery – what is part of the show and what is not. I have chosen to leave the windows uncovered so people can pass by and look in – you could see the carpet being laid the space wallpapered and things taking shape. Equally the taking down of the show will be visible.

No one visited the show today and again I found myself wondering how this would feel if I was urgently trying to spread my beliefs and was sure that without hearing my message people could be lost. What message do I want to share? Is my proposal to have faith in art an empty promise as I do not offer salvation? I prefer to invigilate my own work as I enjoy hearing feedback as people experience the show but when you sit alone for 4 hours you do begin to question your work and its importance beyond your own need to make it.


Fellowship of the Faithless – the opening night.

A few thoughts on the opening night.

The first visitors whispered and skirted round the chairs not knowing whether to sit or not wanting to. I offered tea and biscuits to each person that entered the show and I think the lack of alcohol really changed the tone of opening. The first expectation of free wine and beer was removed so what expectations replaced them?

Around 8 or so the show became quite busy (I had around 60 attend the opening night) The chairs filled up and the expectation was that I would do something/ preach something/present something. I did not, nor did I explain that I was not going to. I just passed around biscuits and chatted with those that were there. The space felt like a church without a leader and without a leader people soon began to share their negative experiences of being in church, of being told they would go to hell and of homophobic rants. At this point something unexpected happened. I started to become very defensive. Is there such a thing as playing God’s Advocate?

I am still connected to my old faith in a way I had not been forced to publicly recognise until now.

Lots to contemplate tomorrow.

Fellowship of the Faithless – Press Release


Fellowship of the Faithless Julie Miller

03 – 15 December 2012

The artist Julie Miller makes pamphlets, small in format and printed on thin paper colourfully framed like the leaflets laid out on the back tables in churches.
‘A love for baking’ describes her thoughts on a bus: ‘I often think when on a bus, what if I just started singing? Would people join in like in the movies?’ In her search to stimulate change she asks: ‘But what if things are different? What if, even just for one day, I did not pretend I was the only passenger on the bus…I could bake for them’.
And like a guide for societal reform, the back of the pamphlet shows a recipe for cupcakes: Baking for the bus.

Julie Miller has written many pamphlets from ’Good Intentions’ to ‘The Perfect Gift’, beautifully designed, each describing a different situation, each offering practical solutions and actions; instructions for happenings, handed out by the artist on the streets of Belfast.
‘Fellowship of the Faithless‘ uses elements of installation and performance, interior design and ritual. Quite like any religious congregation with their attempt to create a different and higher reality? Quite like art one might counter, believing in what?

Born in Northern Ireland, where Christian beliefs are still fundamentally anchored, she investigates how forms of religion shape society, speech, politics and art.
Her work replicates religious forms and rituals and fills it with new content. God is not the centre, but human responsibility, solidarity and mutual help, enacted and communicated through pamphlets, actions and performances. They are displayed in the newly carpeted space of PS², filled with chairs, like a church, like a room ready for small revolutions, a meeting house for neo- dissenters.

Julie Miller writes about her project in PS²:
‘Evangelism, familiar to the people of Belfast is the process of promoting a set of beliefs in attempt to convert others to the same belief. Making something small happen began as a simple exploration of the possibilities that evangelism holds as an artistic methodology.

The work attempts to promote dialogue about evangelism, gift giving and reciprocal obligation. Reciprocal obligation describes the feeling that once a gift has been received one should be given in return. I am interested in how this same obligation functions within Public art in Belfast.

I have used three approaches to explore these themes. The first of these are the tracts, a form of evangelical pamphlet, written and distributed by me on the streets of Belfast. The second is the account given of my experiences during the distribution of the tracts, which takes place on my blog Third is a series of events that deconstruct the traditional protestant church service and investigate how they can be used to address a range of secular needs.

The work is not designed or desired to be spectacular, its strength is in its persistence. I have adopted the passive approach of one particular Christian street evangelist often seen at City Hall, who first sparked my interest in the potential of evangelism as art. This work uses many of the qualities and values that are often attributed to Christianity but reclaims these as an intrinsic part of my secular lived experience.

With this project in PS², I explore what a Fellowship of the Faithless may look like and how it could function, not as a means to exclude those with religious beliefs,  but as a fellowship which does not build its foundation on them but rather on art and its possibilities.’


Saturday, 08 December 2012, 2-4pm: Artist testimonies.
Please pre-book your place




Opening hours: Wed-Fri 11am-3pm, Sat 10am-2pm Contact: or 07733457772.

For more information see

For more information on Julie Miller see


PS² is supported by the National Lottery through the Arts Council of Northern Ireland. This Show is also part funded by Support for the Individual Artist Award.


Fellowship of the Faithless – Day 2


Opening Hours 11-3 and 6-9

Tonight is the official opening which brings with it a nervous excitement. During the 11-3 hours 8 people visited, 4 of which were students from the foundation course at the Art college I attended. They didn’t ask any questions but seemed bewildered and assumed there must be more work somewhere else.

As I mentioned yesterday most people have some previous experience of church going or religion that they bring to the exhibition, A visitor today said for him the room had an appearance of standoffishness and that it smelled like a funeral home. His father had run a funeral home and the smell he remembered was fresh paint and new carpets – the upkeep of the space. The authenticity of the space was important to me – the chairs were borrowed from a church hall as was the kettle boiler. The choice of wallpaper and carpet are directly borrowed from my experience of attending a small evangelical church as a child and from memories of a youth group that as held in the house of a friend of my sister.

The show looks like a place of worship which was my intention and I think there are many parallels between the art audience and the congregation but there are some obvious differences. It is the similarities and differences I hope to discuss with people during the exhibition.

Fellowship of the Faithless – Day 1.


Opening hours 11-3

I had 5 visitors today which was a lovely number, the space is lovely to spend time in if a little cold but I wonder what I would feel like if I were a minister and had dedicated my life to religion to only have 5 people to share with. As this is art not religion I expected to have little interaction from outside but spending time in a church-like space does sort of force contemplation.

In Northern Ireland most people have previous experience of religion and it is this that  allows each person to bring a different context to the show. One visitor said if felt just like a wake, not that it was depressing but that it made him nervous.

Lastly, in understanding that many passersby would think the show was a religious space I am interested in my place within that. What expectations do we hold for people who are openly religious? What expectations do I hold for myself? I am interested in the crossover between what is “good” in secular society and religious society. As my thoughts are wondering I notice a woman selling the big issue outside the window, I am inside warm and dry and have been making tea or coffee for those who come in to see the show. I feel that I should offer her a hot drink – put these thoughts about what is good into practice. I offer her tea which she gladly accepts and when I take out the cup with the milk she requested she responds with “God bless you and your family”